Stress on Symbolic Form in Tonalism
Stress on Symbolic Form in Tonalism and the ideal painting to do in watercolor (in my opinion), Franklin De Haven’s Sunset on Long Island. (pictured is my study of the original)
Expressive Tonalism
Today, I jump into Bunce’s expressive era painting Venezia. Follow along as I use big bold dark colors to do something I’ve never done with watercolor.
Using Subtle Tones
In this week’s blog, I will be referencing John Henry Thachtman’s “Springtime” to illustrate the subtle use of greens, blues, grays, and purples that are prevalent in Tonalist paintings.
You Gotta Start Somewhere
My first painting experiment is going to be looking at Charles Eaton’s “Maine Pines”. I’m going to attempt to recreate it in watercolor.
Choosing a Palette
Today, I go over supplies for my experiment. Palettes, paints, paper and brushes are all really important and play a vital role in successful painting. This post explains my choices and how I set myself up before painting begins.
An Artist’s Journey into American Tonalsim
A Watercolor Artist’s Journey into Tonalism
Is it a rabbit hole? Perhaps. But as an artist, I can’t help but be moved by the pureness of the style. In this series, I am going to attempt to “learn” to be a tonalist painter. I don’t at all think I am qualified for this gig, but my artistic journey has been about finding myself and carving out a space in the world that brings me peace. I hope you’ll join me.
Dori Mikszta Art